Comicsgirl

A friend suggested I should call this post “MoCCA SUCKED!” just to get attention. But I don’t think MoCCA Festival was really all that bad. Not exactly. Just maybe a little bit off. And all cons and shows should be allowed an off year.

Still, no one seemed particularly excited about it this year. I was, more or less, but it wasn’t the all-consuming “I can’t wait!” excitement I’ve had in the two previous years. Basically, MoCCA (when I finally got it into my head what days it actually was) became a good excuse to get out of town for a couple of days.

I remember spending brunch last year on the Saturday of the show studying a print out of the long list of debuts that Robot6 had posted. That blog had three posts this year, as far as I can tell, on MoCCA, and none of them were that extensive. The Beat had a little bit more, but still, it didn’t seem like there was really that much new stuff. (A lot of the coverage of MoCCA seemed to be more about events surrounding it — pre-parties and signings and after-parties and such — than the show itself.)

And my experience with the show kind of made that clear. I mean, certainly, when you go to a bunch of these things that are all centered along the Mid-Atlantic, you’re going to see the same creators again and again, quite often with the same comics. But I saw very few mini-comics that I hadn’t seen before. When I compare it to last year, where I felt like everything I saw was new and exciting, this just felt like more of the same.

The bigger publishers — First Second, Fantagraphics, Drawn & Quarterly, etc. — were doing good business and my web searches seem to indicate that’s why a lot of people were there. Don’t get me wrong — I was delighted to have Mike Cavallaro sign my copy of Foiled!, but I’m not someone who really cares about getting books signed all that much. If I want books from these publishers, well, that’s kind of what Amazon is for. (I know that sounds terrible, and I’m only partially serious, but you get my point.) The bigger-name guests like Frank Miller also kind of seemed out of character for the show.

So what do I think happened this year?

I think the change to April — even though people knew it since last year — threw some people off. Comics take time and when you’re used to knowing you need to have something done by June, you may be hard-pressed to get it done by April instead, even if you have a good amount of warning.

I also know exhibitors weren’t too happy about various issues last year — floor layout, the heat, and even the building itself. I don’t know their reasons, but there are a handful of people that I’ve seen in the previous two years that weren’t there this year. (A friend overheard on the train home that exhibitor space didn’t sell out — which would explain the random round tables occupying some of the space in the back.)

MoCCA this year faced some competition — both from Boston Comic Con and Stumptown Comics Fest in two weeks. The economy being what it is, I think some West Coast creators that may have done MoCCA otherwise had to pick between the two and stuck with the one that was closer to home. (That happened to me — last year, I had every intention on making it to Stumptown this year.)

And about that: I’m not necessarily blaming this all on the economy, but I have noticed that so far this year, some other events have seemed a little scaled-back. I think last year, we were all hurting but we had plans in place and were able to go through with them. This year, we’re still hurting which meant we had to make some choices. Maybe solo creators couldn’t afford the table fees; maybe they didn’t have the funds to get their comics printed. And so that left the “bigger” indie publishers — who are in the one part of the publishing industry that’s not entirely sucking — to pick up the slack.

I don’t really know, though. I think MoCCA’s in transition and I think that’s OK. It’s still a good show and I think it will continue to be a good show, even if it changes into something else (on Geek Girl on the Street, I mentioned I think there’s absolutely room for a “literary” comic con, and if that’s the direction MoCCA moves in, that’s cool).

Still, I think for me, if next year is a choice between going to Stumptown and going to MoCCA, I’m going to Stumptown (mostly because I’ve never been).

But Drink & Draw Like a Lady was blast and I’m glad I came here just for that.

I know plenty of people in the area make fun of tourists’ desire to go look at some flowering trees, but it’s nearly cherry blossom season, which is one of my favorite periods of the year. And that means the National Cherry Blossom Festival.

This weekend is the kickoff (yes, I realize that’s not quite April) — and the Family Day is always entertaining and cute.

The next weekend is the Freer’s annual anime marathon. They only have three movies this year, one of which I’ve seen, but I’ll still get up early, head into the city and get in line to see Chocolate Underground. Also that day is Silver Spring’s Big Cherry Block Party, which will be my substitute for the next weekend’s Sakura Matsuri, which I’m missing because …

That’s also the weekend of MoCCA Festival, with Drink & Draw Like a Lady that Friday. I’m still finalizing my travel plans, but I will try to be there Friday night for that. (And there’s also the Tim Burton exhibit at MoMA and Japan Society’s j-CATION – A Taste of Japan event with a show by Asobi Sesku if I thoroughly want to exhaust myself that weekend).

The next weekend I’m going to go see my mom for some downtime and to go to Richmond Craft Mafia’s Spring Bada-Bing.

Then, wrapping up the month is the final weekend of Festival Imagé at MICA. This is tentative because it depends on how dead I feel once the month is over.

Also occurring in April are two events I won’t (or can’t) be going to: Wondercon and Stumptown. One of these years, I swear, I’m going to make it to Stumptown. MoCCA shifting to April prevented me from going this year.

Thus far, May is wide open. And I’m thinking that’s good because I’m likely going to want to sleep through the entire thing.

I didn’t get to Stumptown in Portland, Ore., this year due to a lack of funds. But fortunately, I know Christopher Gutierrez, owner of Night Light Lounge in Portland. He was awesome enough to write up this report for me:

Apparently, Portland is second only to NYC as far as the number of comic publishers and creators that live here. I wouldn’t have guessed it, but it’s not a big surprise either. I take it for granted that people are creative around here. Everyone’s either painting, in a band, writing something, animating something, or all of the above. And, as I learned at the Stumptown Comics Fest, the rest are making comic books.

For me, as a casual comic book reader, the only reason to go to a convention is to check out the independent publishers, and this one certainly delivered on that (although I also love the terrible costumes, which this one was disappointingly devoid of). The local heavy hitters were on hand of course, with tables by Top Shelf, Oni, & Dark Horse, but I was pleased to see that they weren’t anchoring the floor. They had the same set-ups of the single title self-publishers or the public library.

Going over the 134 tables, of which I’d estimate half were self-publishers, reminded me of rifling through the zine bins at punk shows as a kid. And just like those punk shows, there was a decidedly local & DIY feel to the con.

I was a little daunted by the sheer mass of autobiographical & relationship books. Without some kind of connection or insight to the work, these are generally an auto-pass for me.  My tastes are stereotypical geek-boy: I’m a sucker for anything post-apocalyptic (Freak Angels, Walking Dead, Daybreak), and will also buy pretty much anything with a robot. The robots were represented in force, but I didn’t find many zombies.

The only panel I attended was on the business side of the industry, which was full of people busily taking notes on the bad copyright advice being given. Meh.

If there was a star of the show, judging by the size of his line I’d say it was Jeff Smith of Bone fame. An honorable mention goes out to I Saw You… (the illustrated craigslist missed connections anthology), which was a guerrilla entry, making it’s way to the top because I noticed it on about a dozen different tables.

My personal prize of the show was a $8 tin of mustache wax, which came with a free copy of last year’s Mustaches: For Fun and Profit (although there were no silly costumes on the convention floor, the mustaches were out in full effect).

There were a few other items that caught my eye, amongst them:

• Sid Love. A “choose your own comic” about a plot to take over the world with genetically engineered squirrels or some such, with each potential ending leading to an MP3 online (a little gimmicky, but he made at least one sale with it).
• Dar. A bio / relationship book that I can accept because it’s in strip form (in addition to being well written & drawn)
• I finally picked up Blankets by Craig Thompson (that motherfucker is heavy)

If you’re in town next year, I highly recommend stopping by. Or for a taste of something similar coming up, check out the Portland Zine Symposium in July.

So a big thank you to Chris for allowing me to experience this vicariously. Check out Chris’ blog Slacker DIY and go hang out at his bar.