Comicsgirl

Today is my birthday. And to me, this has everything to do with this month’s choice, especially since Elfquest is (sadly) basically out of print at this point (you can still find it around, sure, if you look). It’s really just a self-indulgent one. You can read all of it online here so you don’t have to spend any money to do so.

I know Elfquest is kind of a punchline for a lot of people, but as a 12-year-old, it was really the coolest thing ever. It had an epic story with a well-conceived mythology as well as a good mix of non-threatening sex and violence. You want to make fun of it now, sure, but that’s because you haven’t read it. It’s much better than you think it is. Trust me.

Wendy Pini was really one of the first women I was aware of who was making comics (this was back in the early ’90s, before the Internet, before things are now, and I didn’t get out much) and I don’t think she gets enough credit. I think I’ve said it before, but Wendy Pini was drawing anime-inspired comics before you even knew what anime was. Everyone who’s doing “American manga” now? I think you have Wendy to thank for paving the way, personally.

No, maybe Elfquest isn’t high art, but it’s smart, escapist fantasy and so much fun. I loved it as a kid and I still love it now. I remain impressed by the depth of storytelling.

So fine, this month’s choice isn’t exactly a book, but I still think you need to read it. If you do, consider that a great birthday present to me.

Also because it’s my birthday, here’s Helium’s video for “Leon’s Space Song,” from the band’s 1997 album The Magic City (buy it and love it). Mary Timony is totally reading Elfquest in this video. You see, if you read Elfquest, you too can be cool like Mary Timony.

The War at Ellsmere Buy at Amazon.com

Along with Raina Telgemeier and Hope Larson, Faith Erin Hicks is part of a new wave of female creators making really awesome comics aimed at younger female readers (vaguely “young adult” but their work tends to cover a range from probably 12-16 or so).

I think Hicks’ Zombies Calling is utterly delightful, but this month, I’m going with The War at Ellsmere (but do pick both of them up). Ellsmere follows Juniper, who has transferred to Ellsmere Academy and immediately makes an enemy of the school’s queen bee, Emily. She find an ally in her roommate, Cassie, who is as quirky and awkward as she is. Throughout, Hicks’ bold, cartoony art — her characters are all big eyes and smirky expressions — creates a wonderful portrait of female adolescence and how there’s really not that much separating the popular girls from the unpopular ones. Maybe you didn’t go to boarding school like the characters here, but you’ll find something to relate to.

This is one of those books that I don’t know why more people aren’t talking about it. It’s a wonderful example of an awesome comic for teenage girls. Or anyone, honestly.

Hicks is someone to watch and I’m overjoyed to see she has two works-in-progress for First Second Books. And if her Wolverine short story isn’t enough to make you love her work entirely, I don’t think I want to talk to you anymore.

The Complete Persepolis Buy at Amazon.com

Part of my motivation with this whole “Book of the Month” thing, as I explained, was to highlight female creators who may be overlooked or under-appreciated.

So why am I picking Marjane Satrapi’s Persepolis? After all, you’ve probably read it. Your friend who knows nothing or cares nothing about comics has probably read it. Your mom (and no, that’s not a joke) has probably read it, or you’re thinking about giving it to her (I’m weird, but I do think it would make an excellent Mother’s Day gift).

And that’s actually why the book is pretty amazing to me. Like Alison Bechdel’s Fun Home, this is a comic that has managed to cross a lot of boundaries. It got attention from people who weren’t quite sure what to do with comics.

Also, it’s really good. Satrapi is cooler and smarter than just about anyone else (seriously — read interviews with her — she’s amazing) and her wit and honesty sparkles here. Her bold, graphic art is a perfect backdrop for her story, which is at turns funny and tragic. At its core, it’s about growing up and becoming a woman while never ignoring the realities of her life.

But I guess this isn’t so much a suggestion for you (because you’ve already read this, right?) as much as it is a suggestion for you to go suggest it to someone else who isn’t into comics. I think this work is one of the few that’s a perfect showcase of what this medium can do and do well.

(I was serious about that Mother’s Day thing.)

Castle Waiting Vol. 1 Buy at Amazon.com

Linda Medley’s Castle Waiting is one part fairy tale and one part domestic drama. There is some mystery, sure, but mostly, it deals with the day-to-day lives of those left behind after Sleeping Beauty departs with her prince.

It may sound kind of quiet and boring, but it’s not. It’s delightful and sweet and constantly surprising. Medley handles the fantastic elements with such grace that it’s easy to forget you’re reading a book that has anthropomorphic bears and bearded nuns. They may be living in a castle, but the interpersonal relationships feel very genuine.

Her art takes its cues from Arthur Rackham and other turn-of-the-20th-century illustrators, but it still feels very modern. Her faces are lovely (even on the more fantastic characters, like the horse-headed Chess) and her page compositions are compelling and diverse. I’d still be recommending this book if it was just her drawings. It’s incredibly lovely to look at.

My only complaint is that I want more (I’ve been assuming volume 2 is going to be collected … at some point) and I think after reading this, so will you.

NANA Vol. 1 Buy at Amazon.com

I actually have no idea why you’re not already reading Ai Yazawa’s NANA (of course, I am severely behind on the series) and while, yes, I do think you should read all of it (which you’re going to want to), NANA Vol. 1 stands alone nicely.

Before all of the rock ‘n’ roll, soap-opera drama, the first volume is a beautiful pair of stories about two young women, each named Nana, who are each setting off in the world for the first time. Nana K. is naive and idealistic, but irrepressibly sweet and loving. Nana O. is a tough punk-rock musician who is individualistic but loyal.

Ai Yazawa’s art is beautiful — her women are gorgeous and distinctive and her boys are even prettier. She conveys a lot of emotion in the faces of her characters and page layouts. (And the clothes! The clothes are so much fun!)

They haven’t actually met by the end of this book, but that’s coming. And without a doubt, you’ll be hooked on the story of these two women.

(And if you get obsessed, there are movies and an anime series and music CDs and much more of NANA to consume.)