Archive for the ‘book of the month’ Category
Book of the Month: NANA
![]() NANA Vol. 1 Buy at Amazon.com |
I actually have no idea why you’re not already reading Ai Yazawa’s NANA (of course, I am severely behind on the series) and while, yes, I do think you should read all of it (which you’re going to want to), NANA Vol. 1 stands alone nicely.
Before all of the rock ‘n’ roll, soap-opera drama, the first volume is a beautiful pair of stories about two young women, each named Nana, who are each setting off in the world for the first time. Nana K. is naive and idealistic, but irrepressibly sweet and loving. Nana O. is a tough punk-rock musician who is individualistic but loyal.
Ai Yazawa’s art is beautiful — her women are gorgeous and distinctive and her boys are even prettier. She conveys a lot of emotion in the faces of her characters and page layouts. (And the clothes! The clothes are so much fun!)
They haven’t actually met by the end of this book, but that’s coming. And without a doubt, you’ll be hooked on the story of these two women.
(And if you get obsessed, there are movies and an anime series and music CDs and much more of NANA to consume.)
Book(s) of the Month: Firestar and Birds of Prey: Of Like Minds
Yes, this month we get two books. I always find February to be a terrible month so I think having two books is a way to counteract that.
And I wanted to do a superhero title. I wanted to do a superhero title that had an all-female creative team. I tried to find something that had either one woman doing both the writing and the art or two different women taking the main roles.
![]() X-men: Firestar Buy at Amazon.com |
I’m sure this exists but I just couldn’t find it (if you know of any, please tell me). Writers were easy, but finding artists were harder — I know they’re out there. For instance, I really wanted to include something by Marie Severin, but collections that are just of her pencils seem to mostly not exist (part of my goal here is to point people to things they can buy easily. I don’t want to send people after individual issues).
So yes, Firestar and Birds of Prey: Of Like Minds.
The collection of the Firestar limited series from the ’80s, revealing the character’s origin story. It’s a slight book, sure, but it’s a lot of fun. Mary Wilshire’s art is honest and appealing — it’s maybe a little dated, but in a charming way. Angelica Jones is all flowing hair and teenage emotions, and Emma Frost is awesomely icy here. And you can always laugh at the fashions (I loved Angelica’s “formal” dress. But surprisingly — or not — Emma’s outfits haven’t changed much over the years).
Tom DeFalco’s story is simple and melodramatic, but highly entertaining. I get the feeling this is probably going out of print, but it’s cheap enough that it’s worth seeking out (and the original issues don’t seem like they’re that much more expensive).
![]() Birds of Prey: Of Like Minds Buy at Amazon.com |
Everyone, of course, loves Gail Simone (the whole #gailhateswomen thing notwithstanding). Those of you who weren’t around in those days don’t know how cool it was when people figured out the Gail who wrote “You’ll All Be Sorry” at Comic Book Resources was the same Gail behind Women in Refrigerators. We’re lucky to have women like her in comics.
Birds of Prey: Of Like Minds isn’t the very first story of Birds of Prey but it is Simone’s first, and provides a good entry point into the title.
I love Simone’s deft handling of the characters here. Her women are well-rounded — intelligent, thoughtful, funny, but also prone to making mistakes. She has a wonderful talent for letting women be in peril without making them victims. I love this and need to read more of Simone’s work. Ed Benes’ pencils are strong and clean. This is just appealing all around and I’m going to be buying more soon.
So that’s this month’s books. I promise I’ll go back to one for March.
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And just to piggyback on this post, I am associate editor of Geek Girl on the Street (in case you haven’t noticed from Twitter). There will be some comic stuff there (like my preview of Crogan’s March) but there will also be plenty of other geekiness that won’t necessarily fit here.
It’s a new but growing site and I think we’re doing a lot of fun things. Follow us on Twitter and add us on Facebook.
Book of the Month: La Perdida by Jessica Abel
There have been lists of entry points and/or the best comics that did no feature a single female creator. And sure, men create plenty of amazing comics that are worth reading. But so do women.
Marvel is beginning a year-long initiative in 2010 about comics for and created by women. Even before I read about this, I had some thought in this direction: Great comics by women, worthy of being read by any comics fan, new or old.
On the first Wednesday of each month for the rest of 2010, I will profile a title that had a strong contribution by a woman, whether she was artist, writer or both. These won’t be reviews as much as it is a call to pick up these books and read them. If they’re on the list, I like them and I think they’re good. And I think you’ll like them too.
![]() La Perdida Buy at Amazon.com |
For January, I am starting with Jessica Abel’s La Perdida (Pantheon Books, 2006).
I’d really like to say I picked this book for some specific reason — like it relates to the New Year because it deals with trying to start over, trying to find one’s self, or even because it’s really cold here right now so being in Mexico seems like a nice thought — but I didn’t. I really just picked it at random. But those reasons do work pretty well.
Carla travels to Mexico to try to reconnect with her father but mostly she’s there to try to find herself. She ditches her community of expatriate friends to ingratiate herself in Mexican culture. While she’s busy more-or-less playing tourist, real life intervenes. Carla isn’t always likable and she often gets in her own way with her naivete. She’s fun to watch, though.
Abel’s art reminds me, appropriately, of a travel sketch journal — her drawings are done in thick pen and ink and have a hurried feel, as if she needed to record events before they slipped away. There’s a beautiful immediacy to this book that’s incredibly satisfying and poignant.
Yes, this is maybe more a book you give your socially-conscious friends rather than your X-Men-reading friends, but I see nothing wrong with offering it to both. It’s imperfect, sure — some plot points felt a little rushed to me — but like all great literature, it’s thought-provoking. I’m actually going to hand my copy off to a friend to see what he thinks of it.



