Paramount acquires Agnes Quill • 10.30.08
I know nothing of Thor Freudenthal, except he’s directed a movie called Hotel for Dogs that has an annoying, flash-heavy site. But I do think this is really awesome.
I know nothing of Thor Freudenthal, except he’s directed a movie called Hotel for Dogs that has an annoying, flash-heavy site. But I do think this is really awesome.
“Being sixteen is officially the worst thing I’ve ever been.”
I was not fond of Mariko Tamaki‘s story for Emiko Superstar for the Minx line. It just struck me as false — oooh! Secret suburban lesbians! Roughly sketched performance artists! It felt like an adult’s conception of what a teen girl would find “edgy.” Some of the emotions were there but it didn’t strike me as being genuine.
But I still decided to give Skim a try, though. And I’m glad I did.
This is probably one of the most realistic portrayals of what it’s like to be a teenage girl anywhere — film, prose, comics, anywhere.
Kim, called Skim by her friends (because, as she puts it, she’s not) is a slightly overweight, half-Asian Canadian teenager attending an all-girls Catholic school. She and her best friend Lisa are studying Wicca. She is, for the most part, a non-distinct teenage girl. She’s not a cheerleader. She’s not popular. She’s not entirely an outcast — she’s just sort of there. She’s both too smart for her own good and innocently naive.
After a classmate’s ex-boyfriend kills himself, the school is covered in a veneer of sensitivity as Kim also develops a questionable relationship with drama teacher Ms. Archer. In someone else’s hands, this could cross into the territory of melodrama, but in Mariko Tamaki presents these events as just being a part of Kim’s life. The highs and lows are just matter of fact. Both the pain and the joy here are very real.
Jillian Tamaki‘s art is one part ukiyo-e and one part hyper-real caricature. It follows the shifts of Kim’s story from dreaminess to unfortunate reality. The changes are done subtly but beautifully and illustrates the forever-fluctuating life of a teenage girl.
I don’t really want to talk too much about the story, because for me, part of the joy is the way it unfolds. On the other hand, what happens isn’t as important as who it is happening to. While Kim isn’t always likable — she can certainly be bratty and selfish — she’s easy to relate to. She shows what it’s like to be a teenage girl.
Why the comics in the Minx line (even Mariko Tamaki’s one) couldn’t be more like this, I don’t know. I’d put this in the hands of any teenage girl I’d meet, or in the hands of anyone who wanted to know what it’s like. This is probably the best — or at the very least, the most surprising — graphic novel I’ve read this year.
I have a few reviews to write and post, but my computer died on me this morning (if it’s just the power supply, I am happy. If it’s the motherboard, I am not). We have other computers I can use, but they’re not my computer.
So posting will be more sporadic than usual.
Coming up are reviews of Skim, Zot!: The Complete Black & White Collection and Kinderbook by Kan Takahama. Possibly not in that order.
I know you can’t wait.
Deb Aoki at About.com has a great interview with Wendy Pini about all kinds of things, but mostly comics. She was ahead of her time.
(Elfquest is the grandmother of all comics that get recommended to women and I personally wouldn’t have it any other way. I will defend Elfquest always.)
And I stopped keeping up, but it does seem the Elfquest movie may actually happen. I will go see it. There is no doubt in my mind about that.
Shaenon K. Garrity says Minx failed because none of the men/boys in the books were “hot” and then asks the people hanging out in her apartment who they think draws hot guys.
It’s something I didn’t think about, but she’s definitely right — teenage girls like fantasy, they like dreaming the hot boy will fall for them. They want hot boys in their fiction.
(The lists of artists her “panel” comes up with is fun — I definitely agree about Mike Mignola and Wendy Pini.)
